Beginner Back Tracks
All of these tracks work with the double box pattern, which is super easy to remember.
All of these tracks work with the double box pattern, which is super easy to remember.
Instructions:
Try to follow the beat sticking to the root note. The backtracks are separated per key in each playlist below.
So if the song is in A minor, use A as your root note. If it's in E minor, use E.
If you are up to the challenge, throw in some chords.
The minimum of what you need to know is:
The double box pattern (examples under the playlists below).
The notes within the double box patterns. These can be shifted around the neck of the guitar.
Just know you need to start and end on the root note at the right different intervals, and the solo will naturally flow together. More tips below.
Showing the popular patterns for whole notes only
Root Notes: G, C, A, & B
Root Notes: A, D, B, & E
Root Notes: D, G, E, & A
Root Notes: G, C, A, & D
Root Notes: A, D, B, & E
Stick to the root note at the right intervals, but mix it up in between.
Use the drumbeat as your metronome.
Don't stress about what to play next or play too fast.
Think about how you would play backward. Whatever way is your natural way to play, think of how you could mix it up the other way.
Some actions to mix in:
Slides
Vibratos
Bends
Pull-offs
Hammer-ons
Power chords
Muted notes
Use the whammy
Use a pedal
Throw in some chords
When you start to get good, switch pattern positions at the root note and continue playing.
Don't do this at first, but the flat note to the right (if you are right-handed) of the double box pattern of the furthermost note of each box (thinking of the pattern as three complete boxes) can be mixed in easily with the furthest most note.
Essentially, you can keep adding any notes to the pattern, but then remembering the pattern dynamically for every scenario becomes confusing because not all notes sound good on each pattern. However, these flats I mentioned go well with this rule of the furthest most notes in almost any case.
Visually, this is what I mean (below). If you do this, you mix up a bit of the major scale with the minor and now the pattern becomes a little more snazzy/bluesy.